Producing music remotely

Working side by side is obviously ideal, but is not always possible. This is not a problem; as an alternative to my London based music production service, I’ ve developed a streamlined approach to produce your music remotely.

We’ll keep in close contact throughout the entire process via email and by sharing MP3 files at every step of the production.

To get started, all I need is a separate vocal track—even a rough one. It doesn’t have to be perfect at this stage; it just gives me a sense of your interpretation and the direction we can take. You can send me your Logic Pro or Pro Tools session using my secure FTP system.

If you’re happy with the first draft, we’ll move forward and build the final version together.

Find out more about my recording studios and equipment I use

A professional mix requires both experience and the right tools.

Here in my music recording studios you will find all of these.

I have two recording studios where I work, one here in London and one in Italy. Both of them are fully equipped with high standard and professional technology for music recording. I also like to use vintage and analogue equipment and music instruments. Tools such as outboards, compressors, old reverbs or rare microphones help me give a colour and unique quality to the sound of my mixes by combining these effects with the latest technologies.

Frequently Asked Question

1- How can we work together if we never meet in person?

Unlike a photographer, a music producer doesn’t need to work physically alongside the artist. That said, I do believe that meeting in the pre-production phase can really help set the right tone for the project. But remote collaboration works just as well.

2- What kind of files can I send you?

At first, an MP3 is fine—just so I can get to know your song.
Later, for final production, I’ll need professional-quality files (WAV or AIFF, 44.1 kHz or higher).

3- Is the quality of an online production the same as working together in person?

Absolutely. The final result is just as professional.

4- Is the cost of an online production the same as an in-studio production?

Yes. The cost depends on the type of work we’re doing—acoustic, electronic, full band, solo artist—not on whether we’re working remotely or in person.

5- Why do you work in both Italy and London?

I work actively in both London and Italy. I regularly travel back and forth—usually once a month—to work in my London studio, where I have a full team of trusted musicians and collaborators. In fact, I often find myself working more in London than in Italy.

At the same time, I have a well-established reputation in Italy and continue to receive many requests there. Keeping both sides active allows me to stay connected to two different but equally important music scenes.

6- Do you prefer working remotely or in-person?

It is usually better when you have a direct contact in order to develop a human rapport, but I think that you can have a good feeling with your producer even if you are not physically working alongside each other. The most important thing is to understand each other and I therefore value a lot building a good relationship with my clients/artists.

7- Can I give input on how I want my song to sound?

Of course. Your vision matters. I encourage feedback at every step, because it’s your song, and my job is to bring it to life in a way that reflects your sound and identity.

8- What if I don’t like the direction the music is taking?

Just let me know! I’ll make any necessary changes. And if you’re not satisfied with how things are going, you’re free to end the collaboration at any time—no pressure.